As a rule, I donât do email interviews. I
certainly prefer not to do them with a person Iâve not met, whose work Iâve only just encountered â unless Iâm well-versed with them and their work, or the genre or tradition with which theyâre working, the result can only ever scratch the surface.
Dom Romeo: Youâve
chosen to present four of the eight Indian dance styles to present in Indian Rhythms; why only four and why those four?
SOORYA KRISHNAMOORTHY: There are only six forms of classical
dance in India, mohiniyattam, bharathanatyam, kuchupudi, odissi, kathak and
manipuri. I have in my programme four classical dance forms. When the show is
presented in India, all the six are there. Itâs very expensive to have all the six
in a foreign country since all perform in group.
Dom Romeo: For
the uninitiated, how do the four styles differ? What do they have in common?
What will we be seeing?
SOORYA KRISHNAMOORTHY: The four classical dances differ in language and technique. Costumes and make up are different. What is common is the bhakthi element.
Dom Romeo: These
are traditional dances from different parts of India. What is their history?
Did they all develop at the same time in different places, or are some older
than others? Do any of them serve as âantecedentsâ for others?
SOORYA KRISHNAMOORTHY: All the classical dances of India are
not created at the same time. The latest creation could be mohiniyattam
Dom Romeo: You
are also including a modern dancing style as the fifth item. Why?
SOORYA KRISHNAMOORTHY: I am not including modern dance, itâs contemporary dance.
SOORYA KRISHNAMOORTHY: This dance is a combination of all the finer elements of these classical dances plus the martial art kalaripayattu and meditation.
SOORYA KRISHNAMOORTHY: Bollywood dances of the Hindi cinema are
cinematic dances and are mostly vulgar in nature, they donât stick to the
classical traditions. They donât represent the rich culture of India.
Dom Romeo: Tell me about your own career in arts and culture â
how did you begin? Was dancing your first passion? Is a career in the arts
something people are born into, as a continuation of the caste system (and
indeed, is the caste system still rigidly in place?)
SOORYA KRISHNAMOORTHY: All details of mine can be had from my web site www.sooryaindia.com. I am not a dancer, I am a director. Basically I am a theatre person, writer and director. I write and direct light and sound shows, plays (dramas), and stage shows. The programme The Rhythm is conceived, designed, and directed by me.
SOORYA KRISHNAMOORTHY: From the inception of 'soorya', 33 years
back, we never wanted to have an office or paid staff. The entire work is done
by volunteers and art enthusiasts. We believe that any work of this nature,
should be strictly non commercial. We want to avoid any sort of establishment
or over head costs. Soorya has chapters in 22 countries, no where we have
office or paid staff.
SOORYA KRISHNAMOORTHY: Soorya has chapters in gulf, far east Europe and Australia. Everywhere we get uniformly good response, I find the same enthusiasm everywhere, Itâs GOD's grace.