Comedy Duos â Twice the Fun?
Saturday, October 10, 2009
Iâm on ABC Local Radio Overnights tomorrow (Sunday) morning across Australia. As Rod Quinnâs guest, Iâll be bringing in a bunch of samples as we discuss comedy duos. Iâm on from around 4 am EST (which I think is 2am in Western Australia and somewhere in between, when youâre somewhere in between the eastern states and WA). Since Iâm doing it live, and thereâll be talkback, if youâre an insomniac do listen and phone in. Donât make the questions too hard â Iâm working off the top of my head.My playlist will be drawn from the following:
1. âThe Cuckoo Songâ - Laurel & Hardy (sort of)
A logical place to start: Laurel & Hardy are a â perhaps the â seminal comedy team and this ditty â which existed independent of them â became their signature tune.
2. âSmokersâ â Fry & Laurie
Stephen Fry and Hugh Laurie were Cambridge students who graduated to Edinburgh Fringe shows as part of the Footlights (the student club that gave members of Monty Python and The Goodies there start along with so many others I shanât get caught up listing here), like so many university revue-educated wits before them. They first came to prominence in episodes of Black Adder before landing their own excellent sketch show, A Bit of Fry & Laurie, which is where this sketch originated. Nowadays Fry continues to write books and make documentary series while serving as Twitterâs biggest celebrity user, while Laurie enjoys massive success as the main character in the US medical drama series House.
3. âPregnant Women Are Smugâ â Garfunkel & Oates
Howâs this for a âcomedy duoâ? Their name itself is a joke on âduosâ, referring to the âlesser sidemenâ in music duos. The point, in comedy, is that even if it looks like only one comedian in the duo is doing the work, the other one is still necessary for the comedy to work: itâs all about the dynamic. (âWhat was it that Dudley Moore used to do?â the question has been posed. âHe made Peter Cook look funnyâ is the standard answer. He did much more than that â without him as a foil, Cook was more-or-less lost; his work never shone as brightly after cuddly Dudley made it in his own right in Holywood.)
Garfunkel & Oates are two young Californian actors, Riki Lindhome and Kate Micucci â Kateâs a regular in later episodes of Scrubs. Their sideline are these cute satirical songs. Iâm hoping they become popular enough to visit some Aussie comedy festivals, in time.
4. âSix of the Bestâ â Peter Cook & Dudley Moore
I could bang on about the genius of Peter Cook & Dudley Moore for days. Suffice to say, as a duo, what they did on stage was magic, and in many ways I see Noel Fielding and Julian Barratt of The Mighty Boosh as their present-day equivalent. For its time, groundbreaking social commentary, since Moore plays the elderly schoolmaster, Cook, the arrogant and disrespectful student, reversing the power structure just as the young generation appeared to be taking control â or at least becoming the dominant element in popular culture â in the â60s. Itâs funny because it was revealing the unspoken truth. Of course a lad on the threshold of manhood could intimidate an elderly schoolmaster, but respect for age, experience, intellect, class and position prevented it from taking place. Itâs less funny now that the scenario being enacted is one that more-or-less takes place in schools all the time now.
5. âChocolateâ â The Smothers Brothers
The Smothers Brothers â Tom and Dicky â illustrate why the comic song works so well within the parameters of âcomedy duoâ. The âstraight manâ/âfunny manâ dichotomy creates humour through the straight guy trying to deliver the song as it should be performed, while the clown continues to subvert expectations. Within this song, many of the traditional elements of the folk song are turned on their head.
6. âBob Geldofâ â Mel Smith & Grif Rhys Jones
After working on the sketch show Not The Nine OâClock News with Pamela Stephenson and Rowan Atkinson, Smith & Jones continued to work with each other on the sketch show Alas Smith & Jones (the titleâs a piss-take of the early â70s cowboy series Alias Smith & Jones). One aspect of their work together were their âchatsâ, naturalistic dialogues derived, no doubt, from initital improvisations, not unlike the work Peter Cook and Dudley Moore in âPete ânâ Dudâ mode â two old mates talking bollocks over beer.
7. âSarah Jackmanâ â Allan Sherman
Allan Sherman was mostly a solo act, coming out of a Jewish television/showbiz background (the titles of many of his albums began with the words, âMy Sonâ¦â like My Son The Nut and My Son The Folk Singer â as though his parents were still disapproving). He was a producer of the classic Tonight Show ever so briefly â but not good enough at it. After he was sacked, he returned as a performer, doing what he did best: song parodies. Indeed, the first time you watch the Walt Disney animated masterpiece Fantasia, you may think yourself a little crazy when you realise the melody of Ponchielliâs âThe Dance of Hoursâ (ostriches doing ballet) sounds almost exactly like âHello Muddah, Hello Fuddahâ; thatâs because Sherman took âThe Dance of Hoursâ melody and wedded new lyrics to it. And he did it well â every syllable is where it should be.
For the duration of this song â a parody of the French childrenâs song, âFrÃ¨re Jacquesâ â Shermanâs part of a duo with Christine Nelson. The song takes the form of a âcatch-upâ phone call, one imagines by someone who has grown up and left the old neighbourhood, catching up with all the comings-and-goings. Thereâs a good deal of social commentary from its time â the early â60s â with cousin Shirley âmarried earlyâ, brother Bentley âfeeling better mentallyâ, cousin Ida a âfreedom riderâ and â my favourite â Sonjaâs daughter Rita, now a âregular Lolitaâ!
8. âWhoâs On Firstâ â Abbott & Costello
One of the seminal pieces of comedy from a classic comedy duo. Essentially the Abbott & Costello signature piece, it was recorded a number of times â in various films and on radio and television shows. This is an excerpt.
9. âHawk Hawkinsâ â Smart Casual
Ben and Nick Mattick are Roger David and Fletcher Jones (I may have the charaters in the wrong order), AKA Smart Casual. They first appeared on the Sydney comedy scene a few years ago, getting to the national final of the Raw Comedy competition on the strength of songs that had the good sense to be more than one gag repeated ad infinitem accompanied by 12-bar blues, or all of their jokes, delivered to opened-ended chordal vamping â which is how so much âmusical comedyâ is unfortunately presented. (See what Iâm saying, comedy n00bs? The tokenistic inclusion of music will fool the masses as easily as any other comedy corners you may find a way to cut. But people who âknow aboutâ music and âknow aboutâ comedy wonât be be impressed.)
Part of what makes Smart Casualâs material work is something that Garfunkel & Oates also know full well: if the joke is a quickie, so too must be the song. This year Smart Casual featured in Comedy Zone â the show the Melbourne International Comedy Festival puts together from the best new talent around Australia. âHawk Hawkinsâ was their Raw Comedy finale and has served them well. I suspect theyâll soon be ârestingâ it as they move on to new material.
10. âHappy Darling?â â Eleanor Bron and John Fortune
Eleanor Bron and John Fortune came to the fore as part of Englandâs so-called â60s satire boom. Bron went to Cambridge University and was a contemporary of Peter Cookâs. She also has a major role in the Beatles film Help! â among other things, sheâs the woman being sung to in the clip for âYouâve Got To Hide Your Love Awayâ. During the 70s Bron and Fortune developed a series of sketches about relationships under the title Is Your Marriage Strictly Necessary? which John Cleese cites as one of the inspirations for Fawlty Towers.
11. âThe Phonebook Songâ â Scared Weird Little Guys
The Scared Weird Little Guys are another two-guys-and-a-guitar comedy duo specialising in genre pardies and clever-silly songs. They comprise Rusty Berther and John Fleming, who met in a capella groups, having cut their teeth in barbershop quartets and the like. (Their first shared project was a five-piece a capella combo, âThe Phonesâ.) âThe Phonebook Songâ is a classic live number that demonstrates vocal prowess. At the very end, it refers to another novelty song built around clever rapid-fire syllables.
12. âSweet Fanny Adams Part 2â â Mel & Sue
Mel Giedroyc and Sue Perkins were (and possibly still are) an English comedy duo who, earlier this century, were likened â and perhaps burdened by the comparison â to âFrench & Saundersâ. The BBC Radio 4 show, The Mel & Sue Thing, and subsequent Edinburgh Fringe shows, demonstrated a clever, funny approach to sketch comedy. âSweet Fanny Adamsâ was a regular feature of the show â the serialisation of Jane Austenâs last â and lost â novella, the perfect antidote to the costumed period dramas that still occupy BBC television broadcast schedules. Part of their âMel & Sueâ persona sees them share a bed in their pyjamas in a very âMorecambe & Wiseâ manner. Mel pops up in a Vicar of Dibley Christmas special.
13. âBring Me Sunshineâ â Morecambe & Wise
Eric Morecambe and Ernie Wise met as kids in a touring vaudeville troupe and perfected their comedy in partnership very early on. Being in the right place at the right time, they were the ones who made the transition from the vaudeville stage to television most successfully, becoming the most watched comedians of their age as they broke viewing records, particularly for their Christmas specials, in which regular non-comedic television personalities â news readers and the like â would appear in guest roles. âBring Me Sunshineâ was, by the end of their long career, established as their signature tune.